Monday, June 14, 2010

Monday, Naropa Summer Writing Program, week one

Began with the picking up of our student card, a wonderful Meditation time and then our first workshop. I have mentioned it before: Dreams, "Voices," Visions, Riffs, Meditations, Rants lead by Jaime Manrique. He made a few opening remarks and gave us 40 minutes to write something about death ours or someone you know. He had us read a poem from the recent New Yorker, "THE BOOK OF THE DEAD MAN (VERTIGO)", PAGE 108, THE NEW YORKER, JUNE 14 & 21, 2010.

Needless to say the ten of us in the circle were wondering were this was gong to lead. We will come out of the four sessions this week with two creations, the second draft of our first is due tomorrow morning and I share it with you below. Jaime, is kind and helpful as we read our first tries, many unfinished in 40 minutes. This should be fun. So hold your nose, plug your ears, my offering....


How does it go? By ko shin, Bob Hanson, June 15, 2010, Naropa Summer Writing Program



How does it go?

It's not over until it’s over, right?

I remember Grandma Olson, when taken to their grave yard where she and grandpa were to be buried she said, "I don't know anyone here" my mom replied, "There is no coffee and cookies at 10 each morning here mom"

Is that true?  I hope not.

Not easy assignment, write about someone's death or mine, but it happens, death that is.

I have been with folks when they cross over, held my mom's hand and never believed this was it, Or Jim, blown away by a drug deal gone bad, his head spread with his body on the lawn in front of his mom's house, a bright summer morning. Is that all there is?

How many life times do we have?

Being buried in the cold, cold, ground - Hm, sounds good to me,

Just this morning I was thinking about being buried, although I want to be burned ashes thrown in Japan, WI and elsewhere,

I was thinking as I discovered my cell died, only works when plugged in, I would want my cell buried with me and I am going to call my wife and friends,

Won't they be surprised…?

The cold, cold ground, the worms, the roots from the trees, the floods that could send me swimming, at least I do not have to worry about drowning. I feel that sense of what it would be like to be eaten when you’re not there…

You have seen the sand on a beautiful shore; it is almost like each grain of sand is rolling up to your feet. So, as they spread my ashes, and the small bones that do not burn around the forest near my house, somewhere at Mt. Aso in Japan, the Island of Kyushu where I spend so many years, and where ever they like, each grain of me will meet the earth and be absorbed into the universe.

As you cannot even count the grains of sand on a clean beach, not in the Gulf right now, so, your grains of ash and mine only join the earth again.

The silence, like the woods around my home, no sound, then a bird, a cricket, a sand hill but silence.  The time to rehearse or to forget, I wonder.

Given the ash, no form, no content what about the next life?

Not the bull shit about heaven or eternal life or eternal heat & pain, but the next showed-upness, I often thought about being a sheep dog, but now I am not sure, just my ash and I...

Have you thought about showing up again, not in a new you, but in a new form, new being,
What will it be?

You know that old phrase, death where is your sting?

There ain't no pain buddy, I am not afraid of my dead time, however long it is, there is nothing to worry about, nothing to solve, just lay there or ash there and be silent

It is not over until it is over. Then it begins all over again, ash to ash, to ash, to ash...




[Neshkoro Pops in the tradition of American Pops- thanks Jack!]

Cold ground,
A stone with a name
That's it?
Hell no

I invited the worms
Yes, those fishing worms
To feast a bit,
For the body will disappear


The coffins float down the Mississippi
Where do they go? Heaven?
Yes, New Orleans!

Talk to the dead?
Why not
They finally hear you

Death, endings
Ground welcomes you

Wait, am I dead?
Can't you tell?
Reminds me of a mulch pile
Lots of worms

Funny you should ask
Strange you should care
I'm gone, bye!
Join me?

The rest of the day was formed by a panel lead by Anna Waldman on Personal Ethos: Coteries, Infrastructure, and Gossip.  What was fun abut this one is the history of the Beat movement and pre-Beat movement, Joanne Kyger was part of the birth in the SF area. David Trinidad is a researcher and added some very funny things about Gossip and the role it played with the Beats and their followers, showing up in their poems as well.

The 3pm Lecture for MFA students was by a Professor from Denver U, Brian Kiteley on "Narrative Spaces between Sentences" Even used Kierkegaard as an example a few times. Very technical but helpful. 
They give you old bikes for free to use while here, so I did some exploring on a bike that fits Anika and William better then me, but it's free and it gets me around. A Lot better than walking. 
I am tired, excited and wish I had come for the month, next year! I suppose you might say that most of the stuff here is over my head or not tools I will use in the last 40, but the the place, the spirits of 37 years and more of great and crazy writers is worth the price many times over. The energy here, the young people, the excitement about our world, caring for it, and being artists blows your mind. Anna invited us many times as we began, "If there is something you want to do, organize, create, do it, that is what Naropa is about." Dam, no one ever said that at St.Olaf, or Luther Seminary, not in that spirit. But those places and my journey as strange and wonderful as  it has been brings me right to this MOMENT! I thank the Gods!

Oh we saw the sun and the mountains today, their hope for more tomorrow, and 90 degree weather by the end of the week.  Sleep well my friends...please comment if you visit the blog, we might even have a conversation.

Sunday, June 13, 2010

37 years, opening ceremony at Naropa

Ann Waldman, one of the co-founders of the Jack Kerouac School of Disembodied Poetics opened this 37th year of the summer writing program at Naropa with a wonderful statement about flying out here with Allen and others to start this creative tradition 37 summers ago. The hall was filled with students of all ages, form many places. We each introduced ourselves and were asked to say something about how the oil spill touched us, very moving words, wow!

Ann's book on "The Beats at Naropa" took on new meaning for me, getting to meet and talk to her a bit. She will be at Woodland Pattern in Milwaukee in the fall to celebrate their 30th year of serving the poetry community not only in WI but here as well.

I am excited. This is going to be fun and more. The energy of people from 17-90 is something. Yes, there are a group of 4-6 in the 70-90 club. Of course no one listens to us here either, well that is not true of course. I will get a chance to read some of my stuff and publish one poem....fun!

More tomorrow as we meet our teacher, mine at least, Jamie Manrique, as we look at "Dreams, Voices, Visions, Riffs, Meditations Rants" in Literature and poetry. Good night!
Enhanced by Zemanta

thank you sister Juana - god of the seeds, why not,

Well, this play would do well somewhere as we reflect on how badly Christianity  has done working with the  other. You know this missionary stuff. I have just finished a collection of work by a 17th century lady, born in 1848 or 1851 depending on who you want to believe. A scholar and an intellect and of some means. She entered a convent to focus on her writing and thought. She chose to invest in her scholarship and the Bishop came down n her. The collection I have read is Sor Juana Ines de la Cruz Poems, Protest, and a Dream.   This is a Penguin Classic ( for Roger- ISBN 978-0-14-044703). The section that blew me away was a short play she wrote, depicting the invasion of Spanish Catholic Missionaries to dam the rituals of the god of Seeds, which point to the gods of the Aztec. Huitzilopochtli was the most powerful of the gods of Tenochitlan. Central Mexico City we know today was where the altars was built in honor of the gods.

Here is "zeal" speaking to the representatives of the Mexican people ""I am Zeal. Whence your surprise? For when Religion you would scorn with practices of vile excess, the Zeal must enter the scene (representative of the TRUE GOD) to castigate your wickedness, I am a Minister from God"  Reminds me of some of my clergy colleagues, "the suits" who tried to move us back to the 19th century at our synod gathering, asking the EL CA to undo  their liberating actions of last August.  The characters of the Mexican people do not back down, but lay out the sham that the Spanish church forces on her people. Now you know why she is under attack from the Bishops of being too smart, "your a lady you know" is his word.

the conversation on the Eucharist is interesting, the body and blood of the Christ vs. human sacrifice. The loving God of the Spanish that allowed  so many of her people, Mexicans to die in the quest...

This drama would be great for our present Pope and others who do not have a clue how to operate in the 21st century in this wonderful diverse spiritual universe we are part of these days. The name of the play is: Loa for the auto sacremental The Divine Narcissus - through allegories, pages 195-239, in Spanish and English.


Rain, rain stop for awhile, have a good day and watch out for the Zeal's around you.  Peace ko shin

Saturday, June 12, 2010

I'm Here! Where is here?

Who hears the tree fall in the forest?

What is the sound of one hand clapping?

Where's Jack, Allen and all those folks? Dead some say,

Their spirit is here, Dharma bums they are, aren't we all...

Oops, I am in Boulder at last, cold, windy, fog and some rain, snow in the mountains

Dorm room, plain, two roomies in the next room,

more fun to come, join me on the blog from the dharma bum from Neshkoro

Good night all      ko shin